The awesome Robin Hobb AKA Megan Lindholm kindly agreed to answer a few questions for us.  
Why do you think people love the Farseer and Tawny Man series so much?
                
 I continue to be astonished by it.  If I could quantify it exactly and 
tell you why people have been so receptive of that story, I’m sure I’d 
be a very wise person.  As a writer, it has been an amazing and humbling
 experience to have readers enjoy the characters that I myself love so 
much.  
         Is it hard to switch from Robin Hobb to Megan Lindholm?
                 
 Not at all, strange to say.  When I get a story idea, I immediately 
know which voice can best tell it.  It’s not that all Hobb stories must 
be epic fantasy or medieval; I think it has to do with pacing and 
voice.  There are some stories that demand a more contemporary sound and
 a vernacular vocabulary.  Others want to be told in a leisurely and 
detailed way.  
         Can
 you explain a little the premise of the Rain Wild Chronicles, the third
 book in that series City of Dragons is due to be released in Australia 
in March. 
                 
 That’s hard to do while avoiding spoilers, but I’ll try.  In the 
writings of the Elderlings there were mentions of a city called 
Kelsingra.  The dragons that hatched in Dragon Keeper have partial 
memories of such a city.  But if it ever existed as a place where 
dragons and Elderlings dwelt side by side, does it still stand or is it,
 like the other Elderling cities, buried deep in the soggy soil of the 
Rain Wilds. The Chronicles tell the tale of the dragons that hatched and
 the outcast Rain Wild youngsters who became their keepers as they make a
 journey which may not even have a real destination.  Along the way, 
both hatchlings and their keepers will find that their destinies are 
much different from what they imagined.  
How
 different is your writing style when you write as Megan or Robin?
I 
believe the two styles are substantially different, definitely enough to
 justify having two different names! I think that Robin writes in a way 
that is more detailed and more emotional than Megan’s style.  It’s a 
leisurely telling of a tale that has lots of incident and perhaps 
subplots.  Megan tends to write shorter, in a more head-long style.  
That’s why there are a lot more Megan Lindholm short stories than Robin 
Hobb has.  Give Robin a 10,000 word limit and she takes 40,000.
         If you could have a cup of tea/coffee with someone from history who would it be and why?
                 
 That’s an easy one.  Julius Caesar.  Can I say I’d like to meet him at 
the time of the Gallic campaigns?  When he was an ambitious soldier 
clawing his way up and keeping such a fascinating journal of his 
observations.  I first encountered his writing when I was given passages
 to translate back in high school.  That’s when my fascination with him 
began.  In some ways, he is writing a military report, and other times 
it sounds like an anthropologist or sociologist. It’s interesting to 
wonder what direction the Roman Empire would have gone if he had not 
been assassinated.  
        Have you got a name for your computer?
                 
 Not one that is printable.   Seriously, no.  I have silly passwords for
 various places I go online, but I’m not sharing those here!  I guess I 
don’t really name things.  Cats, dogs, yes.  All my kids and grandkids 
have odd nicknames.  But I just don’t give objects names.
         Is
 it harder to start out writing fantasy overseas being a woman? Is that 
why you choose the moniker Robin Hobb to write the Farseer books?  
     
 There were a lot of reasons to take a new name for the Farseer Trilogy 
and the books that followed. The main one was that I was writing in a 
very different voice, and in a different slice of the fantasy genre.  
That said, I did deliberately choose a name that could be either male or
 female.  Assassin’s Apprentice was written in first person young male, 
so having a possibly male name as author lowered the threshold of 
disbelief for some readers.  But I think that most fantasy readers don’t
 really care that much about the author’s name or age or gender or age; 
they just want a good story.  Fantasy readers seem to be rather 
adventurous in what they’ll pick up and read.  
       What do you love most about writing?
                 
 Well, when you write a story, you can make the world in your story make
 sense!    In this world, so often, things just don’t make any sort of 
sense.  Fantasy especially gives me a very wide playing field for 
thinking of how things ‘ought to be’ or considering all those ‘what if’ 
questions that we all have.  
                 
 By my nature, I love solitude, and writing allows me to seek a quiet 
place, to be alone with my characters and to tell my story.  I really 
like to work alone through that first draft.  I venture out there, 
exploring unknown territory, not knowing who I’ll meet or where they 
will carry the story.  There is a lot of ‘writing’ that isn’t done at a 
keyboard, and I like to be able to work on the story while I’m working 
on the yard or hanging out laundry.  I get to have all these lives at 
once.  It’s a bit like making a movie, except I have an unlimited budget
 for special effects.  I get to journey to the faraway places, imagine 
the soundtrack, select the wardrobe, and then I get to play every role. 
 I am so blessed to be able to do what I love and to make a living at 
it.
         What is your favourite book by Megan and your favourite book by Robin?
                 
 My favorite Megan Lindholm book has to be Wizard of the Pigeons, a 
contemporary fantasy set in Seattle.  I had so much fun doing the 
research for that, and ended up with my own flock of pigeons as a result
 of it.
               
 For Robin Hobb, I’ll say Assassin’s Apprentice.  It’s where the tale of
 the Realm of the Elderlings begins, and it was also the start of my 
friendship with Fitz.  I’ve known him quite a few years now.  We’ve had 
some good times together. 
        If you were to give one piece of advice to wanna-be writers, what would it be?
                 
 Don’t try to be a writer.  The people who say to me, “I want to be a 
writer!” generally don’t achieve that ambition.  It’s the ones who say, 
“I want to write!” who get there.  And they get there one keystroke at a
 time, by beginning right here and right now.  Don’t wait until you are 
more experienced or older or educated, don’t even wait until you have 
more time.  You will never have more time than you have right now.  (In 
fact, the longer you wait, the fewer days you have to write!  How’s that
 for a scary idea?)  So start now and write what you know, which is who 
you are and where you are, with a bit of magic tossed in.  Just get busy
 and hit those keys.  Writing is what makes you a writer.
   City of Dragons is the third book in the Rain Wild Chronicles and is due for release in March 2012. If you want any more information about Robin and her books, then go to her website here.
If you love fantasy and haven't read Robin yet, then do so!!  








 
 

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